Information

We define Garden Rooms and spaces adjacent to the garden with relatively high levels of glazing from which the garden can be enjoyed.

Whereas in the 80s and 90s Conservatories were the fashion clients today tend to seek garden rooms with more solid constitutions which will be easier to heat and at the same time less likely to overheat.

Often we propose Oak Framed buildings but where these are not appropriate the more traditional Orangery type extensions can make an impressive addition to a country property.

Garden-Room-1

An Orangery Type Garden Room

Design for an Oak Framed Garden room

 

 

 

A design for an Oak Framed Garden Room

Garden-Room-3

A simple pitched roof Garden Room

Garden-Room-5

A design for a modern styled Garden Room to a home in Barnet, London.

Garden-Room-4

An Oak Framed Garden Room nearing completion in Clanfield near Burford.

Garden-Room-6

This contemporary Garden Room design is to be built in Tooting Bec, London.

Garden-Room-2

This Extension to a Property in Grafton, near Burford included a glazed link Garden Room.

Vernacular Buildings Roof Pitches and Garage Design:

The quote below from the book “Your House the Outside View” by John Prizeman explains why so many vernacular buildings are characterised by steeply pitched roofs.

“Since roofs are sloped to shed rain, it is quite logical to find that very thin or small sized materials such as thatch have the steepest slopes (up to 75 deg) and the homegeneous materials like metals of roofing felt can be laid practically flat: each material has its own ideal angle. One can easily see how many buildings used to be thatched by the extreme steepness of the roof, although they may now be covered in tiles”.
Oak Framed Garage 4

Vernacular Buildings, Building Spans and Roof Heights:

Historically most vernacular domestic buildings would have spans in the region of 4.5 -5.5 meters. The reason for this was that generally builders were governed by the materials available and that beam lengths in excess of 5.5 meters were rare and reserved for the more expensive properties.

Traditionally pitched roofs with larger span buildings often result in ungainly and out of scale solutions from designers who do not understand the subtleties of traditional design.

The problem faced by designers when designing Garages is that typically a garage should be over 6 meters from front to back. If the designer were to employ a typical steeply pitched vernacular roof the finished height of the roof would become quite excessive.

Our approach to this problem is to maintain the typical span of the main building 4.8m and then employ and cat slide roof providing the extra depth which is necessary to accommodate the full length of the car.

In this way the height and width of the garage sit comfortably within the local environment and tend to relate correctly in massing terms with the existing properties and neighbouring buildings.

 

 

Cotswold_Stone_Slates

Introduction

Natural stone roofing provides much of the  special character of many parts of the country, and this is especially so in the Cotswold Hills. Although, elsewhere in the country, many local traditions have been lost, in the Cotswolds this has not been the case. Stone slate roofing can still be found in the Borough along the Cotswold scarpement, from Snowshill in the north, to Great Witcombe in
the south. However, this long-established situation could be under threat unless the production of stone slates, and the craft of laying them, is studied and revived. Even the name seems to be disputed: often called stone slates they are clearly not a metamorphic slate (such as Welsh slate) and yet neither are they tiles, in the sense of a clay moulded object.

Types of Cotswold Stone Slate

There are, geologically, two stones from which Cotswold stone slates are made, both of which are oolitic limestones: ‘Forest Marble’ and ‘Stonesfield Slate’. The methods of producing slates from these stones are quite different, making the most of their individual properties. Forest Marble is split by hand very shortly after being extracted from near the surface of the ground, usually at a small quarry. At one Cotswold quarry where slates were, until very recently, made by this method, it was thought that they should only be split within a few days of being extracted, while they still
retained their natural moisture, or ‘quarry sap’. Such stone slates are called ‘presents’. This is the oldest method of producing Cotswold slates, probably dating from the Roman period.

Stonesfield Slate is the name generally given to frost-split stone slates, originally produced near the village of Stonesfield in West Oxfordshire. Because of its depth in the ground, the method of extraction of the slate was quite different to ‘presents’. The stone in rough block form called ‘pendle’ was hoisted to the surface from stone mines, and put out in nearby fields to become ‘frosted’. As the frost gradually split the stone along the thin natural bedding planes, these being a consequence of the geological formation of the material, slaters would work to assist the splitting process. The
resulting slate was much thinner and more regular than the rougher ‘presents’, and was highly prized for the most prestigious roofs, such as those of Oxford colleges. The thinner slates also afforded an opportunity for some sophistication, such as an angled dressing of the sides to provide a very slight overlap when they were laid.

Slate Sizes

The first and most obvious feature about Cotswold stone slates is that, as a material produced from fissile sedimentary rock, it is impossible to supply them in consistent sizes, unlike welsh slate, a metamorphic rock, the stone breaks naturally to provide far more smaller-sized slates than large ones. Over the years, a logical way of taking advantage of this geological accident has evolved; the practice of laying slates in diminishing courses. One of the main functions of a stone roof is to throw water well clear of the wall. Before the introduction of gutters it was even more important to project the eaves as much as possible. So the largest slates (normally about 600 mm long, but some up to 750 mm long) were fixed here in a double eaves course. These slates were given a special name ‘cussoms’, the next course being called ‘followers’. The smallest-sized slates (called ‘short cocks’) were the most common, available in large numbers and used at the highest part of the roofslope. They were only 150 mm long.

 

Cotswold_Stone_Slates_Details

Method of Fixing

Fixing of slates was achieved by one, or sometimes two, wooden pegs driven through a hole near the top of the slate. In the past, this hole was originally made by the slater finding, by feeling with his fingers, a thinner point in the slate and carefully, with a pointed hammer, breaking through to form an hour-glass shaped hole. Today, drills are used. Usually oak was cleft to form a peg and this was driven into the hole until it was firm, the pegged slates then being hung over the batten. Ridges were always made from a simple angled section of dressed stone. Sometimes, on the more elaborate buildings, mostly churches, a roll- topped stone ridge was used.  Stone slate roofs are very heavy (about 1000 kg per 10 sq m) and an effect of this weight is often a slight bend in the roof. However, this causes the slates to pack more closely together, and it is now thought that roofs were made deliberately to allow this bow, keeping out the rain and snow much more effectively.

 

Conservation and Replacement
There are many stories about the durability of Cotswold stone roofs, and recent concerns over the quality of the ‘presents’ now quarried, and their resistance to frost attack, the principal agent of decay in stone roofs. Historically, Cotswold stone roofs were well maintained, and kept free of moisture holding moss. Scraping roofs was a common maintenance task, although now it is mostly discontinued, partly on the grounds of expense. This is a false economy – many roofs now needing near to total replacement, where very few new slates would have been required if scraping
had been carried out. If a stone roof was scraped once a year it could last twice as long. Many roofs being replaced on the oldest buildings are thought to be original. So, with regular maintenance, a cotswold stone roof can easily last 100 years, and could last as long as 200 or 300 years. Where stone slates have decayed, the question of replacement arises. A common situation is to find that about 50% of the slates have perished, so new material has to be imported. While second-hand slate is commonly used, this practice has resulted in the stripping of many other old buildings, cannibalising their slates for the refurbishment market. Recently, serious attempts have been made to discourage this process, and to promote the use of new stone slates. Not only does such an
approach save many old buildings from having their roofs pillaged for supplies (occasionally through theft), but it also promotes the development of stone slate production.
Until recently, there were only two quarries in the Cotswolds producing stone slates. Today, the situation is greatly improved with five Cotswold quarries currently in production.

This Article “Cotswold Stone Slate Roofing” was kindly sourced from www.stoneroof.org.uk

Elm-House-7

Forming an Extension to a Cotswold House correctly requires architectural skill and experience. The Architect must be able to read the existing building, its proportion, layout and detailing and informed by the clients brief propose an addition which while meeting all the spacial and technical requirements will result in a building which delights.

The finished building and its extension must read as a whole building. As Aristotle succinctly summarised ” the whole must be greater than the sum of its parts” To achieve this is what defines good architecture from the mediocre.

 

Asthall_Manor

Asthall Manor

Many of the Cotswold Based Architects are sole practitioners or small practices who serve their immediate area.  It takes many years to become skilled in the design and detailing of the local Vernacular Architecture and this is evident from the sometimes poor quality of new design which one sees when travelling through the region.

Much of the local Architects work today will consist of Extensions alterations and improvements. Complete renovations are increasingly rare since much of the existing housing stock has now been renovated. When travelling thorough the many villages of the Windrush Valley the reader will observe that much of the housing stock is in a good state of repair and well maintained.

Roderick and Oliver Bridge Architects have been practising in the Witney and North Cotswold area for nearly 40 years and have witnessed at first hand the transformation of the region from the agricultural economy of the 70’s to the prosperous commuter and second home economy which the are enjoys today.

“The Cotswold style of architecture is a unique style based on houses from the Cotswold region of England, and is sometimes called the storybook style, with buildings made in this form also sometimes referred to as Tudor cottages. Roofs made with pseudo-thatch, steep arch gables, and arched doorways are all common features of the Cotswold style. Walls are usually sided in brick, stone, or stucco, and rooms are often small and irregularly shaped. Cotswold houses often have a prominent chimney, often near the front door of the house.”

The familiar style of Cotswold architecture is reputedly inspired by Tudor ideals it is a legacy from the sixteenth century when the British economy was driven by the wool industry. The landscape of the Cotswolds was perfect for such enterprise and the fine structures built by those who made their fortune, stand today as a reminder of the area’s former power and wealth.

The diversity of Britain’s building types can be defined by geological formations – certainly the key to the splendour of the Cotswolds lies beneath the surface, for
this region is set almost entirely on limestone. This durable material, owing to impurities in the rock, comes in a variety of colours, with mellow yellow being
commonly associated with the Cotswolds.

Located in Southern Central England, the Cotswolds are quite possibly the English idyll. Acres of rolling countryside are dotted with picturesque villages, each, in turn, home to an array of picture-postcard properties. Manor houses, churches, cottages and barns, all strangely alike in appearance, blend neatly into this area of outstanding natural beauty.

Recognised throughout the world, the architectural style of this region enjoys a long-established reputation for its well-built stone buildings.

While the wool churches, endowed by wealthy merchants, and the manor houses built by prosperous clothiers are prominent features, it is images of rows of cottages that perhaps most readily spring to mind. Characterised by stone roofs, often with dormer windows, steep gables and a brick or stone chimney, these properties tend to have irregularly shaped rooms and sloping walls on their upper floors. Other noticeable features are the heavy mullioned windows, drip mouldings, low doors and the detailed carvings.

Stone roofs are seen in profusion here, even on the most modest of properties, and if kept in good condition are thought to last more than 200 years. Thick tiles are fixed to the roof by a wooden peg, driven through a hole at the top of each slate and the weight is supported by oak beams in the roof.

The consistency of this regional style encourages the assumption that each and every building was constructed in the same period. Yet, in reality the style varied little over the centuries. Chipping Campden in Gloucestershire is one of the finest Cotswold towns. Here a profusion of splendid architecture greets the eye and in the High Street alone spans five different centuries. Proof indeed that the Cotswold landscape evidences continuity, not change.

Source Wikipedia.